Thursday, August 13, 2015

Battle of the Century: Kaiju Death Battle Elimination Tournament


Welcome to the main page for the poll based death battle tournament, featuring some of the most famous and iconic skyscraper sized monsters to ever be made, along with a few all stars you might not know about. This is a tournament, created in good fun to pay tribute to some of the world's best monsters, in the style of a fun, imaginative tournament where abilities, strengths, and weaknesses will be tested.

The mighty creatures that appear down below have been called forth to test their mettle.  The battleground is anywhere.  Land, sea, air, city, mountain, plain, desert...no place is a safe haven.  Your voice will help each monster in battle.  Conflict is inevitable.  

Let them fight.

RULES
1. Monster battles will be selected at random. Each monster participating in this tournament will be assigned a number.  A random number generator will randomly select two monsters, and those two will combat. This means iconic monsters may not make it past round one. This isn't a ranking tournament. This is again, for fun. We all know that Mothra can hold her own against a number of foes but if she's facing King Ghidorah in round one, she might be out for the count.

2. I'm going to say this only once.  Size.  Doesn't. Always. Matter.  Okay, maybe that's a strict way of putting it. How about, size shouldn't be your only factor.  I say this because when I ask about who would triump between X and Y, I tend to get a lot of "X because he weighs more and is bigger".  Remember, this is based on the overall abilities, intelligence, cunning, strength, and just overall combat factor of the monster.  If I must, I will do what Toho has done before, and reduce or increase the size of monsters in certain stages.  I don't want to, but I will if I feel the need to.  That way if King Kong finds himself facing Varan...people don't just vote for Varan because King Kong in their eyes is only 30 feet tall.  If I am forced to, I will Toho size King Kong.

3. If a monster is shown to have done it before, he can likely do it here.  Now, when it comes to the abilities of the creatures, I will usually allow abilities if they've been done repeatedly before.  However there are things that will be left out.  Example...Godzilla will not be able to fly using his Atmoic Breath, or do physics defying dropkicks.  I'm sure they're fun to watch on screen, but it won't be done here.  I will provide a detailed list of abilities and attacks that are possible for each monster.

4. There can be no victor if there is no battlefield. I am forcing this. I don't care if a monster has the capability of blowing the planet up. If it has the capability of destroying the land in such a fashion, or whatnot, it will not be able to use it here.  

5. The polls will be placed in three (maybe four) groups.  The Google+ Communities of Death Battle, Godzilla, and Kaiju/Jurassic Park Fanbase. Votes will be combined to determine the winner of each round.  Results will be posted with each new round.

6. Have fun.  This poll tournament is meant for the purpose of entertainment.  This isn't a poll to try and show that certain monsters aren't the greatest, or that a certain group of monsters are supreme.  This is meant for absolute fun.I'm sure the overall winner of this tournament is going to be very predictable, but I think it will be fun to see how we get there.  I'm hoping not only to show off some very iconic monsters in this fashion, but to perhaps introduce you to some good movie monsters you didn't even know existed.  

I think that about covers it.  Your roster is down below, along with their abilities, and descriptions.  Their status of whether or not they've been eliminated will be shown next to their name.  Thanks for visiting!


ROSTER: 

Alduin
"Arrogant mortals!  Your pride will be humbled!"
Appears in: Elder Scrolls V: Skyrim
Height: ?
Weight: ?
Abilities: Flight, Fire Breath, Frost Breath, Unrelenting Force, Brute Strength, Meteor Storm
Weaknesses: Dragonrend Shout

Bio: Alduin is the World-Eater, and a boastful creation of Akatosh.  Prophesied to be beaten by the Dragonborn of Legend, Alduin is immortal to most attack, able to transport himself between the living world and the afterlife, and feast on the souls of the dead to replenish his strength.  His armored hide is amongst the most durable of all Dragons.

Anguirus
"Murderers, original plundering murderers, who'd killed everything in their way.  These creatures uled the earth at one time, then disappeared suddenly!"
Appears in: Godzilla franchise
Height: 90 Meters
Weight: 60,000 Tons
Abilities: Durable Hide, spiked carapace, brute strength, spiked curl propulsion, burrower
Weaknesses: None Known

Bio: Anguirus is one of the most famous monsters from the Godzilla franchise.  Despite not having special abilities, he's one of the most brutal fighters of the series, never having retreated from battle, and having fought against the likes of Godzilla, King Ghidorah, and MechaGodzilla.  Despite this reputation, he's never won a fight without Godzilla's aide.

Avion
"It casts a colossal shadow across a misty lake as it soars through the sky...to reach it is no easy task..."
Backacoon

Baragon
"It's the red Godzilla."
Appears in: Godzilla Franchise
Height: 30 Meters
Weight: 10,000 Meters
Abilities: Flame Breath, burrower, durability, Rage attack can cause earthquakes and lava eruptions
Weaknesses: None Revealed

Bio: Baragon is known as the "God of the Earth".  Though he's one of the underdogs of the Godzilla franchise, his combat abilities are not to be underestimated.  He is a natural burrower, capable of causing great destruction on the land.  

Barugon
"The missile corps could not cope with Barugon's rainbow."
Appears in: Gamera Franchise
Height: 70 Meters
Weight: 2100 Tons
Abilities: Freeze Spray, Rainbow Ray, Durability
Weaknesses: Freshwater

Bio: One of Gamera's first opponents, she fought Gamera as a newly hatched monster.  Her fatal weakness to freshwater was used before she could mature into an adult threat.

Battra
"What is all this? What's happening to our planet?"
Appears in: Godzilla Franchise
Length: 239 Feet 
Weight: 30,000 Tons
Abilities: Prism Beams, energy conduction, super strength, durability, telepathy, flight speeds of Mach 3
Weaknesses: None Revealed

Bio: Battra brought great destruction to Japan, becoming one of the few monsters to have actually defeated Mothra.  When Mothra and Battra allianced, they fought off Godzilla, though Battra was killed in the process.

Bemlar

Appears in: Ultraman Fanchise
Height: 50 Meters
Weight: 25,000 Tons
Abilities: Heat Ray, durability, travel sphere (speed of Mach 1.3)
Weaknesses: None revealed

Bio: An alien monster, he was the first monster that Ultraman defeated.  His shot arms and not too lethal a bite, may make him for a more insignificant fighter, but his energy blasts and heat rays make him a lethal force.

Bewilderbeast
"Every nest has its queen, but this is the king of all dragons!"
Appears in: How to Train Your Dragon 2
Height: ?
Weight: ?
Abilities: Frozen Water blasts, mind control of other dragons, armored hide, with spikes
Weaknesses: None revealed

Bio: The Bewilderbeast is known as the Alpha Dragon.  Though there are many, each has a domain and looks over many dragons in that domain.  A meeting of another Bewilderbeast would prove deadly, with them both fighting unto the death.  The victor would gain control of the other dragons under the previous alpha's control.

Big Man Japan
"Since the bombings of Nagasaki and Hiroshima, Japan has been protected against invading monsters, by a legacy of giant warriors! Today, there remains only one!"
Appears in: Big Man Japan
Height: 30 Meters
Weight: 400 Tons
Abilities: Electricity Grows him to gigantic sizes, strength
Weaknesses: None revealed

Bio: Part of a legacy of giant warriors who defended Japan against invading Kaiju, he would grow to gigantic sizes when exposed to an electric current before heading into battle.  His combat was not looked upon as welcomed by the locals, but he didn't let the mutual hatred of him stop him from his work.

Biollante
"I think now, I might have made a mistake..."
Appears in: Godzilla Franchise
Height: 120 Meters
Weight: 200,000 Tons
Abilities: Radioactive Sap, durability, regeneration, spore travel, constricting vines
Weaknesses: Heat

Bio: Mutated from a plant, shre grew into a monstrous plant, covered with impaling tendrils, and vines that can bite and spite radioactive sap.  Her regenerative abilities rival that of Godzilla.  

Bizaamo

Black Scorpion
"Ordinarily, I've got nothing against moonlight nights, but I'll be glad to get by this one."
Appears in: The Black Scorpion
Length: 12 Meters
Weight: 14 Tons
Abilities: Venomous Sting, Super Strength, durability
Weaknesses: Throat Seam

Bio: After a nest of gigantic scorpions was discovered, this monster started a rampage, killing all other scorpions. Its strong hide was impenetrable, until a weak spot was found in its throat area.

The Blob
The thing on that man's hand killed him and then it killed Paul, and whatever it is, it's getting bigger!"
Appears in: The Blob
Height: Limitless
Weight: Limitless
Abilities: rapid ingestion-based growth, amorphous movement, resistance to fire and kinetic energy
Weaknesses: Cold

Bio: The blob could be one of two things. An alien life form that crashed to Earth in a meteor, or an Earth bacteria used in an experiment in a space habitat, which crashed to earth in a satellite. Whatever it is, its astonishing ingestion based growth quickly turned a baseball sized blob, into a fully grown monster, with an endless appetite. Any organic material it comes into contact with it dissolves and is absorbed into the mass.

Bogal

Bowser (Giga)
Appears in: 
Height: 
Weight:
Abilities:
Weaknesses:

Bio:

Buraki
Appears in: D-War
Length: 200 Meters 
Weight: 7000 Tons
Abilities: Durability, flight, venomous fangs, strength, fast land speed
Weaknesses: None Revealed

Bio: Buraki resembled a massive snake that rampaged in Los Angeles. Despite his ferocity, he was defeated by Imoogi, but not before causing much damage and destruction.  His speed on land is one of the fastest of any kaiju, and like other snakes, his constriction abilities likely would cause problems for other kaiju.

Cherno Alpha
"Let's get this bastard!"
Appears in: Pacific Rim
Height: 85 Meters
Weight: 2,412 Tons
Abilities: Spiked Boots, heavily armored, tesla fists
Weaknesses: Acid

Bio: One of the toughest Jaegers in the Jaeger Program, Cherno Alpha is a Mark-I Jaeger from Russia, making it the oldest active Jaeger in the program.  But age doesn't matter, as it's fists are easily some of the hardest hitting weapons the mech warrior has, which have resulted in it sucessfully defeating six kaiju.

Cloverfield Monster
""Do you know what that thing is?"
"There ain't nobody teling me.  Whatever it is, it's winning."
Appears in: Cloverfield
Height: 107 Meters
Length: 366 Meters
Weight: 5800 Tons
Abilities: Super Strength, Durability, Amphibious, Jumper, Parasitic Skin
Weaknesses: None Revealed

Bio: The Cloverfield Monster, which has no official name, was one of the toughest monsters to have ever attacked the States.  With mysterious origins, and scary attributes, it took the leveling of Manhattan to theoretically kill the monster.  As a rather younger creature, it is covered in parasites that fall from its skin and act on their own accord.  A single bite from these parasites was lethal to human victims.

Colossal Titan
"You're kidding me...that wall is 50 Meters high!"
Appears in: Attack on Titan
Height: 60 Meters
Weight: ?
Abilities: Super Strength, Regeneration, Steam Generation
Weaknesses: Unknown

Bio: The Colossal Titan is a form taken on by Bertolt Hoover.  (I am not an expert on this universe so please excuse the ver brief bio)  Able to shift into this form near instantaniously, he is the second largest Titan on record, taking on a skinless male form.  His steam generation proves a very powerful defense mechanism, able to generate large amounts of pressurized and heated steam from his body.  

Coyote Tango
The world is coming to an end. So where would you rather die?  Here, or in a Jaeger?!"
Appears in: Pacific Rim
Height: 82 Meters
Weight: 2,312 Tons
Abilities: Energy Casters, Mortar Canons, heavy armor, powerful fists
Weaknesses: Acid

Bio: A Mark-I Jaeger, it ties with the CHerno Alpha as being one of the tallest Mark-I Jaegers in the service.  Its mortar canons pack powerful firepower as do its energy weapons, but as of now, it's only known for killing two Kaiju in it's service record.  

Crackler
Appears in: Godzilla: the Animated Series
Height: 60 Metes
Weight: Unknown
Abilities: Electricity Manipulation, Lightning Bursts, Electric Balls of Energy
Weaknesses: Unknown

Bio: The Crackler was an electromagnetic energy monster that manifested from the passive and inner anger of a man named Sydney Walker, after a mental experiment went a bit out of control.  The Crackler responded to the anger of Walker, destroying and attacking things that had caused grief to Walker.  Eventually, Walker was coaxed into letting out all his frustration, which brought about the end of the Crackler.  

Crimson Typhoon
Appears in: Pacific Rim
Height: 76 Meters
Weight: 1,722 Tons
Abilities: Plasma Caster, Buzzsaws, Durability, Jets for limited Flight
Weaknesses: Acid

Bio: Crimson Typhoon was one of the most ferocious Jaegers in the Jaeger Program, with a staggering seven kaiju killed in combat.  This is partly due to the unique three arm design this Kaiju has, and the three pilots that control it, in the infamous   Thundercloud Formation.  It is able to quickly shield itself from attacks, while quickly responding to attacks.  All of it's arms have retractable buzzsaws, each able to pierce tough kaiju hides.  It's jetpacks give it some mobility in the air to deliver powerful melee attacks.Though not as heavily armored as Cherno Alpha, it's still durable, and is a Jaeger that only the most skilled kaiju could take on.

Crustaceous Rex
Appears in: Godzilla: The Animated Series
Height: 50 Meters
Length: 70 Meters
Weight: 300 Tons
Abilities: Tentacles, Ink Blast, Durability
Weaknesses: None Revealed

Bio: The Crustaceous Rex was a large mutated creature that dwelled in the deep oceans, feeding on giant squids, before radiation drove it to the surface.  Similar to a spider, it would release a digestive enzyme on it's prey before consuming it.  Able to withstand gunfire, and blind its enemies, the Crustaceous Rex was one of the first creatures Zilla Jr. ever fought. 

Cyber-Zilla
Appears in: Godzilla: The Animated Series
Height: 60 Meters
Weight: 20,000 Tons
Abilities: Atomic Heat Ray, energy missiles, chest disk reflector, jumper, amphibious, high land speed, durability
Weaknesses: None revealed

Bio: Cyber-Zilla is the cybernetic resurrection of the very first Zilla which was killed in New York City in 1998.  Now armed with Tachyon technology, and abilities it's previous life did not have, it proved to be a formidable fighter.  It had a historic fight with it's lone surviving offspring.  Along with some of the many attributes it had in it's previous life, it's cybernetic enhancements made it a terrifying opponent, able to reflect sound based waves and weapons back to their source, fire Tachyon missiles, and even produce atomic fire of it's own, it was the ultimate weapon of the Tachyon Aliens.

Cyclometra

D.R.A.G.M.A.
Appears in: Godzilla: The Animated Series
Height: Unknown
Weight: Unknown
Abilities: Durability, strength, high reproduction rates
Weaknesses: None revealed

Bio: In an alternate future of Earth, a scientist was in the process of creating something to try and help the Earth, but his creation quickly evolved into a kaiju nightmare, bringing humanity to near extinction.  Their durable hides were near impenetrable.  And their high reproductive rates easily outnumbered and killed all monsters at Sight Omega, and even Zilla Jr. himself.  A fearsome enemy that hunted humanity, the only way to fully defeat it was a return trip to the past.  

Dagahra
Appears in: Rebirth of Mothra II
Length: 73 M
Weight: 17,000 Tons
Abilities: Barem-bio Missiles, maelstrom, Irabushan beam, energy beam, energy ring, durability, triphibian, flight speeds of Mach 10, swimming speed of 150 knots
Weaknesses: None Revealed

Bio: One of the tougher enemies that Mothra ever faced, Dagahra is a formidable fighter, land, sea, and air, though she fights strongest in the water.  Her shoulder cannons fire energy, but she can also fire energy beams from her mouth, and dorsal fins.  

Daimajin

Death Kappa

Deathrem

Destroyah
Devil Monster


Dirge

Ebirah

Eborsisk
"Destroy the beast!  Find the baby!"

El Guasano Gigante

Europa Aliens

Female M.U.T.O.

Gabara

Gaira

Gaius

Gamera

Gan Q

Gezoras

Giant Anacondas

Giant Ants
"We may be witnesses to a biblical prophecy come true. 'And there shall be destruction and darkness come upon creation, and the beast shall reign over the earth.'"
Giant Bat
"Nobody move.  If that bat senses any motion, it may think we're prey!"

Giant Claw

Giant Gila Monster

Giant Tarantula

Gigan

Gipsy Danger

Godzilla

Golza

Gomora

Gorgo

Gorosaurus

Graboids

Gudon

Guiron

Gwoemul

Gyaos

Hedorah

Igneel

Indominus Rex

Iron Giant

Irys

Jet Jaguar

Jiger

Kamacuras

Kamoebas

King Caesar

King Cobra

King Ghidorah

King Kong

Kiryu

Knifehead

Kojira

Kraken

Kumasogami

Kumonga

Kuromori

Leatherback

Legion

M.O.G.U.E.R.A.

Magnia

Male M.U.T.O.

Malus

Manda

Mechani-Kong

Megalon

Megaguirus

Megashark

Megazord

Mephilas

Minilla

Mothra

Mr. Stay Puft

Mutavore

Mushra

Nanotech Creature

Nessie

Onibaba

Optimus Prime

Orachi

Orga

Otachi

Prometheon

Queen Bee

Quetzalcoatl the Winged Serpent

Raiju

Rancor

Red Death

Red King

Reptilicus

Rhedosaurus

Robo-Yeti

Rodan

Scunner

Slattern

Smaug

SpaceGodzilla

Spyler

Striker Eureka

Super Justice

Titanosaurus

Toothless

Toto

Trespasser

Tripods

Tyrannosaurus Rex

Ultraman

Ultraman Belial

Utsuno Ikusagami

Varan

Vastatosaurus Rex

Velociraptor Pack

Viras
Voltron

Wargilgar

Widow Spider 

XXXG-01W Wing Gundam

Zandolla

Zedus

Zetton

Zigra

Zilla

Zilla Jr.

Zone Fighter


Tuesday, August 11, 2015

REVIEW: King Kong (2005)



God, I love monster movies.  I know that as a critic, that might sound a little silly since a lot of monster movies tend to end up in B-level cheesy movies, but man, when it's done right, it's done right! And lately, I've had giant monsters on my mind because....they're awesome.  I don't know.  All I know is that I've been wanting to review a big monster movie, and I had a lot of votes in a poll for Godzilla, and Jurassic Park.  They're on the way.  I promise.  But I'm kinda unsure how to start those reviews, so for a little inspiration, I went to King Kong.

Everyone knows the name King Kong, he's undoubtedly one of the most famous giant monsters out there in the film world.  He's big, he's strong, and he's one of America's most famous movie characters, his 1933 film rightfully preserved in the AFI's Hall of Fame.  And he was the first giant monster that I was introduced to outside the realms of dinosaurs, and rancors of Star Wars.  He easily became one of my favorite monsters I've ever had the pleasure of watching.  But as I grew up, I began to realize just how weak his franchise was.  I'm not kidding either, for such a strong film to come out of 1933, the other Kong films can be terrible.  The sequel to King Kong fell flat, the 1976 remake failed to capture any of the majesty of the creature, and its sequel was atrocious!  Even Toho didn't fully capture what made King Kong so great, when it pitted the iconic monster up against the legendary Godzilla.  Then Peter Jackson entered the picture.  So what was the result?

His remake of King Kong in 2005 was just...beautiful.  I fully mean that too.  It's about time that we got another quality movie in the Kong franchise.  Now that isn't to say it is without flaws, because there are flaws, but as far as overall quality, it not only matches the legendary status of the 1933 classic, in some ways...it can surpass it.  And I recently saw the original 1933 classic again.  Despite being outdated for the times, it still holds up, it still works, and it still has the ability to make your heart race.  A film from 1933 able to do that has earned it's place among history.  But despite this 2005 remake being just as good, it needs to be said that this remake is a very different movie than the 1933 film.

Where the 1933 film was mainly meant as a fun horror survival story, this movie digs deeper.  We all know that King Kong develops feelings of affection for the pretty Ann Darrow, but in 1933, that's about it.  Ann never looked at Kong as anything more than a monster.  Constantly screaming for her life.  Here, Ann's character is further developed, and the emotional bonds that are shared between both beast and beauty are seen.  Heck, there are times in the movie that you can pretty much understand what Kong is saying, or implying through body language, or the sounds he makes.  But Ann's character isn't the only one who's strengthened.  Nearly every character from the original story has been given a bigger backstory, or changed in some way shape or form.  Jack Driscoll is not longer the first mate as he was in 1933, he's been downplayed to a more normal guy role as a play writer.  Unfortunately, this can lead to some rather dull moments from him, but I see what they were going for. Carl Denham, played strangely, yet near flawlessly by Jack Black, is much more anxious about getting his film done, and has a bit of an extremist personality, wanting to finish his film, no matter the price.  It can be said that this kinda leads his character to have a bit of a Jurassic Park antagonist look (where he believes he's in full control until nature runs out of his control), but it's still very well done.  But the character development ironically leads to the first fault of this film.

The characters are developed wonderfully, but it ultimately leads to many subplots, and many relationships and backgrounds that go nowhere.  There are two characters on the ship, the first mate Benjamin and a younger member of the crew named Jimmy who share a bond, almost like father and son.  Benjamin shows legit concern and care for Jimmy, who is rebellious, and headstrong.  Eager for adventure.  They get into this background for Jimmy but the thing is, the subplot is not really present in the film, and though you can see the pain Jimmy goes through after Benjamin is brutally killed, there's not much that is discovered about Jimmy as a person, yet the film can focus a lot on him.  But once Kong is captured, he and the rest of the surviving crew are never seen or mentioned again.  

This also leads to the second fault of the film, and the biggest complaint the film receives, the length.  At three hours and twenty minutes (extended), King Kong's running time is no joke, and there is a lot of material I feel that could have easily been cut.  Nearly an hour into the film, we are still watching the boat crossing the seas towards Skull Island.  And even after the action has been going or is picking up, there are so many awkward camera shots and whatnot that just didn't need to be there.  Awkward and unnecessary slow motion shots, choppy editing, particularly during the scenes with the Skull Island Natives.  And another scene that was lovely to watch, but just didn't need to be there was a sequence in New York, where Kong and Ann reunite, and share a little moment on a frozen lake.  I'm sure it's very fun for Kong who has never been on ice before, but it was a decently drawn out scene, that could have at the very least been cut down (and I can also say that it is one of the few scenes where the CGI does stand out in the wrong way).

But honestly, these are just minor gripings from me.  Because the film easily makes up for such shortcomings. Despite it being long, we are given a gorgeous, and very well played out visual of Skull Island, which is crawling with life, from the large majesty of Kong himself, to the stunning and well played evolved survivors of the Dinosaur ages, to a breathtaking and well done recreation of the infamous Spider Pit sequence, which was taken from the original film.  Skull Island hasn't looked so great on screen since 1933, and back then it was an impressive place to show.  The stop motion of the dinosaurs by WIlllis O'Brien is flawless, and at times even scary!  Jackson's well executed CGI visuals give the place a new life.  The iconic fight between Kong and the T-Rex has been revamped immensely, now a fight between what is called a Vastatosaurus Rex, which is basically the Tyrannosaurus Rex, after about 65 million years of evolution.  And he doesn't just fight one, he takes on three of them!  But what's awesome about this is the fact that it's not just trying to outdo the original.  In fact, many movements, and lines of dialogue in this movie are mirrored or echoed from the 1933 film.  This fight may add more, but it doesn't take away anything from the original.  It just does its own thing, while paying homage to the original as Kong kills the third V-Rex, snapping the jaw like the original, and letting out that roar of victory, as he did back in 1933.  

And of course, we gotta talk about the climax.  Kong's final fight atop the Empire State Building is a scene that is legendary all on its own.  And why wouldn't it be?  Back in 33, the Empire State Building had only been open about two years, so with Kong fighting on top of back then, the world's tallest building, the suspense must have been beyond dramatic.  The thing is, I feel that the climax of 1933 was a bit rushed, again probably due to the fact that it was a horror movie in its day.  Here, the climax bides its time, and it's actually quite emotional to watch.  When Kong reaches the top, he has this look of despair, as if he knows what's coming.  You can tell him possibly thinking of home, possibly thinking of how he has no clue where he is, and how Ann is the only one who might understand what he's going through as he watches his final sunrise.  And as all this is going on, it's interrupted by the sound of the engines of war planes...and you just get chills down your spine at the sight of them.

What follows is some of the most well played monster against human combat I've ever seen.  Some might call it a bit over the top, but you can just see it happening in such a way, that it's not at all bothersome.  In fact, you cannot look away. And with the bonds that both Ann and Kong share, you feel a legitimate pain as Kong is killed right before your eyes.  It's not you rooting for the planes to save Ann, you'll find yourself cheering each time Kong is successful in downing a plane.  And it makes the scene all the more sad to watch, because you know how the story ends. Beauty kills the beast.

With all this being said, I'm honestly surprised it gets the dirt that it gets.  Do I wish it were shorter?  In some places...yes.  But there are scenes even in the extended edition that I feel shouldn't have been removed, and as I said...as long as it is, when the action picks up, it really picks up, and has you hooked.  Any frustration that I personally feel when watching this film is just erased.  The casting is great, the environments, from Skull Island to a poverty stricken New York City, are beautiful.  And the story, as good as I remember, and about as good as it gets.  It goes to show that the legacy of King Kong is far from dead, and that good things can still come from this franchise.

All this brings me to my final conclusion.  I am pleased to give Jackson's rendition of King Kong, a full four out of four stars.  Despite a few nitpickings, this film was successful in capturing Kong's former glory, and even adding glory of it's own.  It's not just a rehashing of the same story you know.  It can stand out on it's own at times, and just blow your mind with it's execution.  It's a monster movie I will enjoy time and time again.  But I won't lie, with a prequel now in the works, I am unsure if that glory can be matched, or captured again.  Especially since sequels have failed inthe past.  I won't jump to any conclusions, but until we see what this prequel, which is set on Skull Island (stoked about that) has in store for us, I will continue to watchi this and it's 1933 predecessor with high hopes.

Please feel free to request any movie for me to review down below.  Leave a comment on what your thoughts are of the film.  And as always, thanks for reading.

Final Verdict: 4/4

Tuesday, August 4, 2015

REVIEW: The Hobbit Trilogy (2012-2014)

2001-2003. Peter Jackson stunned the world with his adaptations of the famous Lord of the Rings trilogy. They took the world by storm. If you hadn’t heard of Tolkien’s Magnum Opus, you certainly were one to find out quickly as these movies came out. They were emotional, touching, thrilling, and just all around epic. A series worthy to have a trilogy. Peter Jackson really did capture a certain magic in these films. A magic that is still present and holds up to this very day.
And now, if you’ll permit me to borrow some dialogue from Jurassic Park.
And you know what, Mr. Jackson, before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now you’re selling it, you wanna sell it. The Hobbit trilogy.

Yeah, as you might be able to tell, I’m not the biggest fan of this trilogy. Now before I get all sorta of accusations and hate from the fans who are just accusing me of saying I hate it because it changed so much from the book, let me just say this. “Calm the heck down. There’s more to it than you think.” I have more problems than simple changes from the book, because unlike a lot of people, I understand that an adaptation is what it is. An adaptation. Adaptations make changes. I understand that, and am open to that concept. Even the Lord of the Rings trilogy diverted from certain things the books had. I guess what made that trilogy so strong however, was that the changes didn’t change so much of the original story, and were changes that people could see making sense. The Hobbit trilogy…not so much.

My main problem with the trilogy, is that honestly…I only see Peter Jackson trying to convince us that this was somehow supposed to either surpass, or be just as epic as the Lord of the Rings…and that is just something that isn’t possible. Firstly, the Hobbit when it was originally written by Tolkein was a very simple tale. I’ve read the book before,, and can say that the Hobbit was much simpler than the Lord of the Rings trilogy, and it was very much a story for children. Peter Jackson aimed to give us this…grand adventure. Am I saying the Hobbit isn’t a grand adventure? No. It’s a classic. But Jackson went about it in way too many wrong ways. Ways that backfired.

And permit me to be a little…hurt in some ways that were different from the book. I can’t say I have no problems with changes from the book, because there are some things that just did not sit well with me. And the very first thing that comes to mind was the constant foreshadowing of Sauron. ESPECIALLY in movie two, Desolation of Smaug. Sauron isn’t even mentioned in the book. If I remember right the “necromancer” is mentioned, which does become Sauron, but there is no corruption of the Ring, and Bilbo uses it rather…freely. In fact, Bilbo treats it like any other person would treat a ring. He finds it, it’s a nice little thing to take home. He puts it on, finds out it can make him invisible, and uses it to his advantage here. He doesn’t feel the presence of Sauron as he seems to in the movies, he doesn’t lose it, find it and call it “mine” like Gollum would, heck it’s just a ring in the book. So why the sudden change? Not only did it ruin one of my favorite moments of the book (the conversation with Bilbo and Smaug), but as a guy who knows who the villain of the Lord of the Rings trilogy is going to be, just saw this as a move that wasn’t necessary and dumb. On the scene I just mentioned, I really enjoyed the talk that Bilbo and Smaug have. Bilbo keeps Smaug on his nerve, and constantly confuses Smaug as Smaug cannot find Bilbo because he is wearing the ring. He is making Smaug somewhat nervous perhaps, on the edge, and angry with the constant riddles that Bilbo rains down from all over the place. Reading it is suspenseful, and thrilling, and rivals some of the most thrilling moments of the Lord of the Rings trilogy. Once Bilbo removed the ring in the movie, I just had to shout in my mind “No!” because all the elements of suspense and thrill were effectively killed right then and there. Smaug should have just eaten Bilbo right then and there. Heck…as awesome as Smaug looked, he really didn’t act like the dragon I hoped he would. In fact, once he was killed, I was sort of thankful, because as threatening as he was trying to seem in the movies….he was pathetic. He built himself up both in movie and book (good job on nailing his boasting, I enjoyed that scene), but My god, when he’s chasing the dwarves all around Erabor, when he’s facing Bard the Bowman, and just making simple threats “You cannot save him from the fire, he will burn!” all I’m thinking is…WHY ARE YOU TALKING?! BURN HIM! Smaug is killed by the classic villain movie mistake of talking too much? Come on! I mean I know Smaug has this reputation of thinking he’s above them all, but….I hate to constantly bring up the book, but in the book, he just straight up razed the town, not taking anything from anybody.

I’m going to return to Sauron briefly, because though I will say that Jackson’s inclusion of Gandalf’s “side-quest” in the movies was…an okay move. Again, I don’t think it was necessary, but if Jackson was gonna squeeze a trilogy out of this one book, I guess he had to think of something. But the execution of this side-quest was bad too….because at it’s finale, I was wondering if Jackson even remembered making the Lord of the Rings trilogy. One thing I just don’t get is why Gladriel was so amazingly powerful in this trilogy. In the Lord of the Rings trilogy, she is described as a terror almost. A being of immense power. I am sorry to say I can’t remember the exact words used to describe her in the movies, but she was built up incredibly. And in the movies…as Cinemasins pointed out…all she does is send the Fellowship out with some magic trinkets…after she almost single-handedly banishes Sauron’s form to Mordor…by herself in the Hobbit movies. What the hell? I’ll give credit that Saruman does say that the confrontation has severely weakened her, but still….she’s built up in the next movie trilogy as an elf witch of incredible power. It just doesn’t add up to me. I can’t say I’ve read the short story that talks about this thing with Gandalf discovering Sauron, but….still. I also feel that the banishment of Sauron, and Saruman’s mentioning of the Ring of Power, would have immediately clicked in Gandalf’s mind. Like “Oh wow, I think Bilbo might have something of interest here!” In fact, it’s not until years later in the original trilogy that Gandalf gets suspicions. I mean…once again…as Cinemasins points out, did Jackson even bother watching his Lord of the Rings Trilogy? Heck, wouldn’t they at least INQUIRE about Bilbo’s ring? (Special thanks to CinemaSins. Love your videos.)

Speaking of Bilbo…..in a trilogy that is entitled “The Hobbit”, there is surprisingly very little story about the Hobbit. That’s something the book nailed. It focuses almost entirely on Bilbo. There are scenes with Thorin and the other dwarves, but it mainly focuses on his perspective. Here…it jumps all over the place. From the Gandalf side-quest, to a dwarf and elf love story, to Laketown politics…look, I was open to these things… I was open to the character Tauriel. I was open to the Bard’s lowered rank (in the book if I remember right, he’s already a well respected member of Laketown), but they just didn’t get executed well enough. I thought the unlikely love story between Kili and Tauriel was rushed, and just…silly. I rub my head in annoyance everytime I hear that clichéd line of “If this is love I don’t want it!” Seriously, I haven’t heard such bland dialogue since "Attack of the Clones". It was a clever move to get us to remember one of the dwarven names out of the 13 that travel with Bilbo…I’ll give it that much. Fili, Kili, Thorin…I can name maybe three more before I come to the conclusion that they weren’t meant to be remembered because this is a story about…BILBO. And yet Martin’s talents are wasted with him standing off to the side while Jackson tries to entertain us with over-the-top action sequences and battles that just bored the hell out of me. I mean seriously, I thought that Legolas’ action in the Lord of the Rings trilogy from shield-surfing to taking down an Oliphant with three arrows to the neck was bad enough. His gravity defying jumping of bricks and dwarf heads, to over the top combat near the river, and Legolas isn’t the only one guilty of this. Tauriel shoots an arrow that deflects an already shot arrow in the air?! I understand that Elves are superior fighters in every way to men and orcs, but there are things in these movies that are pulled off that are by all means, near impossible.

If I had to select a movie that I actually enjoyed in this trilogy…strangely, it’s the first movie, Unexpected Journey. Because it was successful in making me want to see more. It was successful in raising my eyebrow. It was slow, and wasn’t perfect, but the changes that were made were fun enough. The clever tie-in of trying to reclaim Moria, and how Thorin earned his title was fun to watch. It made me want to see a sequel. It wasn’t a perfect start, and many critics agree with that, but it made me anxious for the next year. Desolation dragged. And it was where I started to see the major problems with these films. It just wasn’t working. Again, there were things that were great. But by the time Battle of the Five Armies hit, I sat there, just bored out of my mind. The third movie made the second movie’s dragging look like the Kentucky Derby. I mean there was barely a hint of story from what I saw. It was just dragged too much.

I will take the side of some when I say this. This trilogy should not have been a trilogy. If Jackson wanted to make The Hobbit, fine. Why stretch it into a trilogy (other than a cash grab)? Why add in so much and try to convince us that this adventure is supposed to rival the adventures of the Lord of the Rings trilogy? There were three books, which made sense that it would garner a trilogy (My God can you imagine if each individual book of the trilogy garnered their own trilogy of films? Shoot me). All of them were long, but they were far from boring. Even the extended editions of the Lord of the Rings movie, while adding more to already long films, keep your interest! The Hobbit should not have gone any longer than two movies. If Jackson wanted to add more, fine…but why drag? This trilogy didn’t even come close to matching the trilogy that follows. It may have hit home in a few places, again, I think that Martin was a perfect actor for Bilbo, Smaug looked fantastic, and despite what I’ve said, there was some very fun action in these movies. And despite the fact that the obvious green-screening effect can be noticeable…there were times that these movies were just gorgeous to look at. But they fail to hold up the trilogy on their own, which brings me to my final verdict.

The Hobbit Trilogy all in all, is a two out of four stars. These movies are painfully average. Maybe even below average. I would score it even lower, but there is enough to warrant a score of at least one viewing. But as far as these being considered a classic prequel trilogy…I have to say these movies are very forgettable. It’s a shame I have to call it that, because honestly, I love the story of the Hobbit. But we just have a classic case of Jackson trying to do what Lucas did with Star Wars, by trying to convince us that these would be just as fun and just as greatly executed as the trilogies that would follow them chronologically. And they ultimately failed to do that. What will come up next? I don’t know, but after this, I think Jackson should venture out of Middle-Earth permanently. I don’t think Tolkien’s followers want him to take a chance with anything else. And I can’t say I blame them.

Feel free to suggest movies for me to look at.  Leave a comment down below telling me your thoughts on the movie,  and as always, thanks for reading.

Unexpected Journey: 2.5 / 4
The Desolation of Smaug: 2 / 4
Battle of the Five Armies: 1.5 / 4
Overall Final Verdict: 2 / 4

Monday, August 3, 2015

REVIEW: Chappie (2015)




How do I describe Chappie?  Picture a scientist, who develops a program capable of thinking for itself, learning faster than a human can,and the story of how he bonds with a robot he tests this program on....then throw in a crap ton of gangsta rap, ridiculous gangsta dialogue, gangsta crime sprees, gangsta gun poses, gangsta walking, gangsta bling bling, gangsta gangsta gangsta and even more gangsta!  Yeah if you can't already tell this is a pretty silly film.  It has some fun concepts, and a lovable robot, I can't lie there, but Chappie does have a lot of shortcomings, and the resulting creation, is a film that has much more forgettable elements than memorable ones.  Side characters that contribute little to nothing in the story, actors that cannot act, story elements that are poorly explained, and music that is out of place here.  And the fact that this has come from a director, who has given us two films that I very much enjoy, I gotta say I was slightly disappointed by this film.

It's 2016, and we're in an South Africa, which I personally found odd as Africa was where "District 9" took place, but I won't nitpick too much.  One year into the future and all law enforcement has been replaced by these humanoid robots, with hack-proof systems and titanium bodies that make them very hard to penetrate.  Crime rates go down, and all human officers are relieved.  We are introduced to the mastermind behind these robots, an inventor named Deon Wilson, who is developing a program to run artificial intelligence that will think for itself, learn for itself, develop emotions, opinions, a personality.  Thing is when his boss refuses to let him test it on a robot set to be destroyed (which I will call BS, the guy behind his robots isn't allowed to perhaps further his research?), he jacks the robot to do the test anyway.  We are also introduced to these absolutely laughable gang members who run into a financial crisis.  They are planning a heist, and decide to kidnap Deon to see if he can deactivate the robot law enforcement.  A thing he cannot do, claiming it not to be possible.  Instead they decide to build the robot with that AI program he developed, in hopes that he can be taught to perhaps help them in their big heist.

And Chappie is born...or created, which I will say is a lovable robot almost immediately from the start. He's curious, nervous, and acts very much like a child, as we are told he would start out as.  And he quickly learns how to do impressive things such as painting, and whatnot (even though I will say they took the painting style from "I, Robot").  He's told by Deon that he shouldn't let others tell him what to do or decide what he can do, that he has a free mind and that he should use it.  Thing is, and this is a thing I really like about this film, he's around bad influences.  He is almost forced how to shoot a gun (in a ridiculous scene, I must say [there was NO WAY that gangster would have as much accuracy as he did with that ridiculous pose]), he's around people counting drugs, and talking in nonstop profanity...which itself can get ridiculous, and you can tell how it affects him.  This is the thing that holds this movie together.  Chappie is lovable, and wonderfully developed...even if it can be a bit over the top.  I never thought I'd see a robot wearing gangsta bling bling outside the cartoon Futurama.

You've noticed how much I've used the word "gangsta" in this review?  Well there's a reason for that.  That's because the amount of stereotypical gang culture in this film is ridiculous.  And it doesn't help that the two main gang members are played by two members of a rap group I know nothing about.  In fact, apparently their music is heard throughout the film.  I'm not really one for gangsta rap as a music genre but the acting choice of these two and the inclusion of their music makes this film seem more like a selling point for music than an actual story.  Their roles in this movie are a near complete joke, and they're only surpassed in the roles that are a joke by the people out to get them.  The antagonists in this film are forgettable and contribute nearly nothing to the story other to remind us that they do bad things.  Theres a scene in this movie where a corrupt coworker disables all the police robot units (despite Deon earlier in the film telling us that this wasn't possible, hence the creation of the Chappie robot), to field test this "Robocop" enemy robot ripoff.  But before they field test it, there's endless rioting in the city with zero law enforcement, and the enemy gang members just kinda pull the card that the city is now theirs.  No other gang in town?  No explanation why everyone just goes along with him?  Seriously it makes me think like I'm watching an online session of Grand Theft Auto than an actual movie.  Oh and on that note some of the weapons in this movie look like they came straight out of Call of Duty.  Who fights with a schoolbus yellow machine gun?

But honestly, the biggest thing that gets me wrong about this movie is again..,like Transcendence...the ending.  Now I will give it credit, it's no where near as stupid and annoying as the ending in Transcendence, but it's still very silly.  If you don't want a spoiler, skip this and the next paragraph.  The biggest thing in Chappie is the fact that Chappie is tested on a damaged robot, damaged beyond repair.  They cannot replace his battery and it's near failing.   Chappie goes on this quest to try and find a new body and find a way to transfer his consciousness into that body.  Which is all well and good.  And he apparently finds a way to do that through this neural helmet which was made to help control the robot that was supposed to be tested.  The thing is, it would make sense for him to be able to do that in a sense.  He's a machine.  I copy and paste date in flash drives all the time.  I'm sure AI can find a way to do that.  But they jump the shark and once Deon is fatally injured, Chappie finds a way to transfer his consciousness into a blank body of a robot!  What?  

First of all, human consciousness isn't that simple I'm guessing.  Transferring something from an actual organism to a machine in the way that they do it is just silly.  "Transcendence" at least put some thought into how they did those same ideas.  Secondly, they threw out so much potential with this dumb move.  Chappie in this movie is very much like a learning child.  What could have been a really hard lesson of life for him, was just brushed away. Why not have a dying Deon tearfully explain to his finest creation that there are just some things in life that a machine can't fix?  Why not help make Chappie a stronger character overall with him having to emotionally deal with not one, but two deaths in this movie?  Yeah, one of the gang members he calls his mother and grows really close to dies.  And that would be sad, but the thing is they frigging bring HER consciousness back too!  And the way they did it is even more irritating because when they transferred Dean's consciousness, his body was instantly killed.  Earlier, we see Chappie and "Mommy" playing with the neural helmet, but she is killed onscreen by getting shot repeatedly.  Then the film brings up this "twist" of how Chappie backed her consciousness up on a flash drive.  Yeah.  A flash drive!  Why didn't it kill her when he did the transfer there?  If this movie wanted me to feel bad about this character's death in the first place, why would they bother bringing her consciousness back?  This movie literally killed any sense of remorse you're supposed to feel with the death of a character, when it could have been a much stronger movie if it had left death in as a factor of life.  

When all is said and done, most people can watch this movie and see how silly it is.  Again a lot of the stereotypical gang culture in this movie tends to give that away, and in fact it almost turned me off to this movie at all.  But the movie isn't terrible.  Yeah it suffers from plot problems and again, the ending is one I really don't think I approve of too much, but unlike "Transcendence", this movie did have a bit more to offer.  As much as I didn't like the gang stereotypes, they made me laugh at just how ludicrous it got.  And of course, the robot Chappie is a very lovable character, and executed well.  I just feel like he doesn't belong in this movie.  He seems out of place almost.  There was a lot of potential here and a lot of it was not met.  The film does succeed in hitting some points home that would make this movie fun, but it's far from a masterpiece, and at times, it's just laughable at how bad it can be.  At times, I'm wondering exactly what this movie wants to be.  The poster itself seems a bit misleading to me.  "Humanity's last hope isn't human." That's the tagline for this movie.  But never in this movie is the fate of mankind even played upon.  What the hell?  

Chappie is a two and a half out of four stars for me. It's slightly above average.  Slightly.  Despite some wonderful characters, the story isn't fully told.  I feel like it was thrown at us with no reason to question our believability.  Believe this because it's a movie.  No logic needed.  No rhyme or reason.  And that's just not how it works with me.  I want to know how they could have done some of the many things in this movie as they did.  It could have been something along the lines that "District 9" was, but it's just not.  My friend, who loves this film told me that it's probably meant to be taken as a the cheesy film it is, like "Robocop" was back in the day.  I don't know if that's the case or not.  What I do know is that it is watchable, and can be fun to watch.  But it's one I don't see myself watching again in the very near future.  With all that said though, I am happy to have seen it.  I just hope this little fluke doesn't become a norm for director Neill Blomkamp.

Please feel free to suggest any film I should watch.  Leave a comment down below telling me your thoughts on the film, and as always, thanks for reading.

Final Verdict: 2.5/4

Saturday, August 1, 2015

THROWBACK REVIEW: The Great Mouse Detective (1986)


Everyone knows the great detective, Sherlock Holmes.  Whether you were introduced to him in the recent 2009 film, the CBS Series, his book series, or even an awesome episode of Star Trek (I'm not joking there either), chances are, you've at least heard the name, and know that he's regarded as one of the best, if not the absolute best detective in mystery fiction.  My first take on the great detective however came in the form of a Disney cartoon, and when I first watched it, I didn't know the name Sherlock Holmes.  Some of you may be able to share the same experience.  "The Great Mouse Detective" is a very charming take on Sherlock Holmes, and probably one of the most underrated films of the Disney animated movies.  There are many things in this movie that make me smile, and just so many things that are done right in this film.  From the charming adaptions of the Sherlock and Watson roles, to the mystery, to the villain.  It's all done splendidly.  

The film takes place in London, 1897, where we follow the case of a disappearing father.  Though originally just shown to be a classic case of a parent gone missing, the film pulls a classic "it's not as simple as you think" card on the viewer and goes into a case that involves the fate of the entire Kingdom...or "Mousedom" and the Queen herself.  One can look at this and say that it's been done a hundred times before, and that it's probably been done better, but with the fast-paced yet very followable storytelling, and nonstop thrill ride, it is a mystery movie that is very much fun to witness.  Several points attribute to this.  The film knows how to show a scene in which quiet is needed.  The film knows how to pull a surprise that no one expects.  And the film knew how to cast.

The only character that I thought was a bit out of place was the voice of the eight-year-old mouse of the film, Oliia.  She is voiced by Susanne Pollatschek, and I do believe she was a child voice actor.  As such, some of her lines I feel were out of place at times.  They were still believable, and her character was easy to relate to, but you can't help but wonder if maybe she spoke a little too loud into the microphone during some takes or whatnot.  Barrie Ingham does a great job at voicing Basil, really bringing the life out of the character.  His emotions, to despair, to joy, to sheer annoyance are so well done.  And the stuttering personality of Dr. Dawson is portrayed wonderfully by Val Bettin.  But let's be honest here...the real star of the voice acting goes to none other than the late great Vincent Price, who you can tell had a lot of fun voicing the film's antagonist, Professor Ratigan.  

Ratigan deserves a paragraph all on his own.  He is easily one of the best villains I've ever seen out of Disney.  I don't know if that's because of Vincent's phenomenal voice acting in the character, or whatnot, but he's such a unique villain.  He even made the number 3 spot on my all time favorite Disney Villains list (behind Ursula from "The Little Mermaid" and Claude Frollo from "The Hunchback of Notre Dame").  He's always fun when on screen, which is something you can't say about villains a lot of the time.  A lot of Disney movies will portray their villains as devious evil masterminds, who would make your skin crawl.  And though the film does a good job of describing Ratigan as such, on screen, he's always so suave, unafraid to crack a joke, be a gentleman, and then in the blink of an eye, he can transform into a terrifying intimidating character that makes you wanna jump out of your skin.  Vincent Price himself said that playing Ratigan was probably his most favorite role he ever did in his career.  And it really does shine in this.  With not one, but two songs in which he sings, and just amazing tones in his dialogue, it's probably one of the most memorable voice performances in a Disney movie.

Another thing that really keeps this movie rolling is the music.  Now I will say that some of the musical numbers in this film, I feel didn't need to be included, such as a number that is done in a low-life pub, in which a drugged Dr. Dawson accidentally starts off a drunken brawl, but the score in this movie is energetic, and easily fits the film's pacing.  That opening theme after we see the disappearance of Olivia's father, is beyond catchy, and can easily get stuck in your head.  The theme is played in various styles in the movie, quiet in the quiet scenes, and fast during a wonderfully done, even if a little over the top chase scene.  

The final thing I wanna point out about this film is the climax.  This climax I highly believe is probably the absolute best climax scene that a Disney movie has ever done.  I will not spoil too much of it, but even if this movie wasn't as fun to watch, this climax would have made it alone worth watching.  It starts immediately after Ratigan's vessel crashes in to the face of the famous Elizabeth Tower, home of the famous Big Ben clock tower.  You are transported to the inside mechanics and gears of of the second largest four-faced chiming clock in the world, and a conflict between Basil and Ratigan begins, which is wonderfully paced, and very thrilling to watch.  Each blow that is struck sounds like it hurts, it sounds real, and the visualization of the gears and the clock tower just really sets this climax at a higher level than any other climax I've ever seen in a Disney movie.  It is 5 minutes that make up for ANY shortcomings this film has to offer, and there really aren't that many that I can find.  And it leads to an ending that can pull at the heartstrings just a bit.

"The Great Mouse Detective" is a very fun film for both children and adults, and a great way to perhaps get introduced to the Sherlock stories.  I'm not the biggest follower of the great detective himself, but I cannot deny that the writing of his mysteries is very much always a treat to watch, read, or whatnot.  This film is no different.  Is it maybe a bit simpler, with some plot elements we've seen before?  Yeah, but none of that detracts from the quality of this film's writing, and performance.  There is life in this film, beyond the animation drawings and voice talents.  Life that in many other disney movies, just isn't there.  It's a true gem to have come out before the Disney giants that we're all familiar with today.  And many people who worked on this would go on to help make those great movies we all know from Disney.

All of this put together makes this film near legendary in my own personal opinion.  A masterpiece.  An underrated masterpiece.  There is something for everyone to enjoy in this film, and it's not hard to find.  That is why, I am awarding this film, the highest rating I can give, a full on four stars out of four.  Again, there may be some shortcomings in this film but nothing so bad that it would detract the quality of some clever mystery writing, that is easy to follow for all ages, and memorable characters that are brought to life in more ways than one.  Coming from a time when Disney movies were coming out of an era that was not that strong, that really does hammer the point for me.  While many films of the disney era before this or even slightly after this were forgettable, this first step was a great step in the right direction to giving us some of the many films we know and love by Disney today.  And it still holds up today.  A jolly good show indeed.

Feel free to request a movie for me to watch and write my thoughts about.  Leave a comment expressing your own thoughts on the film here, and as always, thanks for reading.

Final Verdict: 4/4